Goblet
Goblet, c. 1840-60
- Credit
- Gift of the White House Historical Association, 1993
Main Content
Goblet, c. 1840-60
In the 1960s, First Lady Jacqueline Kennedy oversaw the task of restoring the White House interiors and thus founded the White House Historical Association to enhance the understanding, appreciation, and enjoyment of the Executive Mansion. As a part of our mission, the Association provides financial support for acquisitions, refurbishing projects, and preservation initiatives of the White House, which involves collaboration
Since 1965, the White House Historical Association has been proud to fund the official portraits of our presidents and first ladies, a long-standing tradition of the White House Collection. Recent presidents and first ladies typically select their respective artists before leaving the White House and approve the portraits before their formal presentation to the public and induction into the collection. The
The collection of fine art at the White House has evolved and grown over time. The collection began with mostly presidential portraits, commissioned or purchased by Congress, or donated by presidential descendants. In the era before photography, some presidents invited painters to set up studios in the White House to record significant events and paint their likeness. In the late
Many people approach the decor of their homes as a reflection of oneself. But what happens when a home's interior must be a reflection of a country's history? While the president and first lady make decisions regarding the White House interiors while they live there, they also recognize the importance of maintaining and preserving the public spaces and their accompanying
The White House Collection and the Atlantic World Jennifer L. Anderson, Mahogany: The Costs of Luxury in Early America (Cambridge, MA: Harvard University Press, 2012). Vernon C. Stoneman, John and Thomas Seymour, Cabinetmakers in Boston, 1794-1816 (Boston, MA: Special Publications, 1959). Sarah Fling, “Sugar, Slavery, and the Washington China,” White House Historical Association, https://www.whitehousehistory.org/sugar-slavery-and-the-washington-china.Hannah Boettcher and Ronald W. F
The White House Historical Association (WHHA) offers many different resources for students working on National History Day projects.
Foreword: On the Move by Marcia Mallet AndersonMoving On: The President’s Household Sets Sail for the City of Washington by Alan CappsThe Marquis de Lafayette’s Return to the United States, 1824–1825 by Richard F. GrimmettJoanna Rucker’s Extended Stay in the Polk White House and the Nation’s Capital: A First Lady’s Niece Records Her Experience in Nineteenth-Century Washington,
The White House Historical Association is a nonprofit educational association founded in 1961 for the purpose of enhancing the understanding, appreciation, and enjoyment of the Executive Mansion. It was created at the recommendation of the National Park Service and with the support of First Lady Jacqueline Kennedy. All proceeds from the sale of the Associations books and products are used to
The White House Historical Association, Artsy, and the Robert Rauschenberg Foundation partnered together in the late spring of 2016 for an unprecedented opportunity for university students in the United States to engage with the artwork and artifacts in the White House by creating a short video about the historical and artistic context of a particular work in the Executive Mansion. The
The White House Historical Association (WHHA) offers many different resources for students working on National History Day projects.
Read Digital EditionForeword: "A Changing Portrait of America" by Marcia Mallet AndersonThe Official White House Portraits of President and Mrs. Barack Obama: David Rubenstein’s Conversation with the Artists, Robert McCurdy and Sharon Sprung Introduction by Stewart McLaurin The Peales in the White House: America’s First Family of Artists by Carol SoltisWhen Harry Met Pablo: The Strange True Story of t
For most of the 19th century, the structure of the White House staff remained generally the same. At the top was the steward, a federal employee who was bonded; the Congress created this position to safeguard the silver and furnishings in the house. The steward was on the government payroll. He functioned as the manager of the house. The job