An 1859 painting by Eastman Johnson depicting urban slavery.

In the 1960s, First Lady Jacqueline Kennedy oversaw the task of restoring the White House interiors and thus founded the White House Historical Association to enhance the understanding, appreciation, and enjoyment of the Executive Mansion. As a part of our mission, the Association provides financial support for acquisitions, refurbishing projects, and preservation initiatives of the White House, which involves collaboration

In 1821-1822, Susan Decatur requested the construction of a service wing. The first floor featured a large kitchen, dining room, and laundry; while the second floor contained four rooms designated as living quarters. By 1827, the service wing was being used as an urban slave quarters. Henry Clay brought enslaved individuals to Decatur House, starting a trend that was solidified by

Since 1965, the White House Historical Association has been proud to fund the official portraits of our presidents and first ladies, a long-standing tradition of the White House Collection. Recent presidents and first ladies typically select their respective artists before leaving the White House and approve the portraits before their formal presentation to the public and induction into the collection. The

First Lady Lou Hoover's invitation to Jessie L. DePriest to a White House tea party in 1929 created a storm of protest and indignation. This traditional act of hospitality toward the wife of the first black man elected to Congress in the twentieth century created a political crisis for the president and first lady. This collection explores the "tempest" from the

From the beginning of its construction in 1792, until the 1902 renovation that shaped the modern identity and functions of the interior of the White House, the fourteen paintings of this series examine the history of a national icon. Through meticulous research and tireless attention to detail, numerous sources inspired the brush of Peter Waddell to create a vision of the White

President John F. Kennedy and First Lady Jacqueline Kennedy’s advocacy for the arts endures as a vital part of their White House legacy. From 1961 to 1963, the White House became a focal point for the arts and cultural engagement. The Kennedys hosted numerous concerts and performances and infused the Executive Mansion and the country with the same vitality, youth, and id

In 1961, First Lady Jacqueline Kennedy resolved to make the White House a “living museum” by restoring the historic integrity of the public rooms and displaying the very best of American artwork, furniture, and décor. In order to fulfill her vision, Mrs. Kennedy founded the White House Historical Association, a private, non-profit organization created in partnership with the National Park Servi

In 1816, Commodore Stephen Decatur, Jr. and his wife Susan moved to the nascent capital city of Washington, D.C. With the prize money he received from his naval feats, Decatur purchased the entire city block on the northwest corner of today’s Lafayette Square. The Decaturs commissioned Benjamin Henry Latrobe, one of America’s first professional architects, to design and buil

The collection of fine art at the White House has evolved and grown over time. The collection began with mostly presidential portraits, commissioned or purchased by Congress, or donated by presidential descendants. In the era before photography, some presidents invited painters to set up studios in the White House to record significant events and paint their likeness. In the late

Many people approach the decor of their homes as a reflection of oneself. But what happens when a home's interior must be a reflection of a country's history? While the president and first lady make decisions regarding the White House interiors while they live there, they also recognize the importance of maintaining and preserving the public spaces and their accompanying