White House Decorative Arts in the 1850s

Garden Settee. Attributed to Janes, Beebe & Co., New York, c. 1852, Fillmore administration.

This painted cast iron garden settee attributed to Janes, Beebe and Co. of New York is in the Rococo Revival style. An avid gardener, President Millard Fillmore purchased this and several others for the White House grounds.

Artist: Janes, Beebe and Co. of New York
Photographer: Bruce White
Date of Work: ca. 1852
Medium: Photograph
Credit: White House Historical Association

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Slavery and Freedom in the White House Collection

The White House Collection and the Atlantic World Jennifer L. Anderson, Mahogany: The Costs of Luxury in Early America (Cambridge, MA: Harvard University Press, 2012). Vernon C. Stoneman, John and Thomas Seymour, Cabinetmakers in Boston, 1794-1816 (Boston, MA: Special Publications, 1959). Sarah Fling, “Sugar, Slavery, and the Washington China,” White House Historical Association, https://www.whitehousehistory.org/sugar-slavery-and-the-washington-china.Hannah Boettcher and Ronald W. F
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Conservation of the White House Collection

Care of any museum collection includes the conservation of objects to correct or stabilize deterioration from age or exhibition. Although the White House is an accredited historic house museum, it does not provide the traditional exhibition setting of objects under glass or behind ropes at all times. As the official residence of the president of the United States, objects from
Digital Library Exhibit
Slavery and Freedom in the White House Collection

Slavery and Freedom in the White House Collection explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
Digital Library Exhibit
Slavery and Freedom in the White House Collection: The Fight for Emancipation

This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
Digital Library Exhibit
Slavery and Freedom in the White House Collection: The White House Collection and the Atlantic World

This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
Digital Library Exhibit
Slavery and Freedom in the White House Collection: Enslaved Artisans

This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
Digital Library Exhibit
Slavery and Freedom in the White House Collection: Slavery at the White House

This exhibit explores the history of slavery and emancipation in the United States through art, furnishings, chinaware, and other objects in the White House. This exhibit was curated by White House Historical Association historian Sarah Fling.
Collection
Preservation of the White House

In the 1960s, First Lady Jacqueline Kennedy oversaw the task of restoring the White House interiors and thus founded the White House Historical Association to enhance the understanding, appreciation, and enjoyment of the Executive Mansion. As a part of our mission, the Association provides financial support for acquisitions, refurbishing projects, and preservation initiatives of the White House, which involves collaboration
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Since 1965, the White House Historical Association has been proud to fund the official portraits of our presidents and first ladies, a long-standing tradition of the White House Collection. Recent presidents and first ladies typically select their respective artists before leaving the White House and approve the portraits before their formal presentation to the public and induction into the collection. The
Collection
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From the beginning of its construction in 1792, until the 1902 renovation that shaped the modern identity and functions of the interior of the White House, the fourteen paintings of this series examine the history of a national icon. Through meticulous research and tireless attention to detail, numerous sources inspired the brush of Peter Waddell to create a vision of the White
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President John F. Kennedy and First Lady Jacqueline Kennedy’s advocacy for the arts endures as a vital part of their White House legacy. From 1961 to 1963, the White House became a focal point for the arts and cultural engagement. The Kennedys hosted numerous concerts and performances and infused the Executive Mansion and the country with the same vitality, youth, and id
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In 1961, First Lady Jacqueline Kennedy resolved to make the White House a “living museum” by restoring the historic integrity of the public rooms and displaying the very best of American artwork, furniture, and décor. In order to fulfill her vision, Mrs. Kennedy founded the White House Historical Association, a private, non-profit organization created in partnership with the National Park Servi