Something Old, Something New: Maria Monroe
Gallery
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Oil Painting of Maria Monroe
Date: 1820
Creator: Charles Bird King
This oil painting of Maria Monroe by Charles Bird King in 1820 depicts her in the dress she wore to a New Year’s Eve celebration in the White House that same year. It is thought that this could be her wedding dress as it matches one short description of her bridal ensemble and repurposing expensive hand-made dresses was common in that time.
Mary Fairfax Kirk Pickel1 of 6
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Watercolor of Decatur House Ball
Artist Riley Sheehey reimagined the Decatur House ball held in honor of Maria and Samuel’s wedding–one of many high society parties to celebrate the newlyweds. The French Empire style that filtered into upper class American fashion in the early nineteenth century is visible amongst the guests’ dress. Puffed sleeves, high waistlines, and loose floor-length skirts adorned the crème-de-la-crème of the Washingtonian women in attendance. This illustration was originally commissioned for “A First Daughter’s White House Wedding: Etiquette Wars and a Celebration at Stephen Decatur’s House” by Lauren McGwin in White House History Quarterly 54.
Riley Sheehey for the White House Historical Association2 of 6
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French Empire Wedding Dress
Date: Circa 1804-1805
This circa 1804-05 evening dress, owned by Baltimore socialite Elizabeth Patterson, who suffered an ill-fated marriage to the brother of Napoleon Bonaparte, represents the popular French Empire style that rippled through American fashion systems in the early nineteenth century. The Grecian-inspired loose drapery, puffed sleeves, low neckline, high waistline, and light-colored, very sheer fabric with delicate cotton embroidery replicated the French Empress Josephine’s famous style.
Courtesy of The Metropolitan Museum of Art, Purchase, Gifts in memory of Elizabeth N. Lawrence, 19833 of 6
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1821 Wedding Dress
Date: 1821
Medium: silk, satin, and gauze
By the 1820s, the French Empire style was already changing. This circa 1821 English wedding dress is an example of an upper-class bride’s gown and is made of silk with silk gauze oversleeves. The style had changed since the height of its popularity in the early 1800s. This gown has a slightly lower waistline and there are more trimmings, like the silk flounces on the skirt hem and slashes on the bodice.
© Victoria and Albert Museum, London4 of 6
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Maison du Commodore Stephen Decatur, Washington
Date: June 1822
Creator: E. Vaile
Medium: Painting
Lafayette Square, the park bordering the White House, was much less developed in the early nineteenth century than it appears today. This 1822 illustration of Stephen Decatur’s house on Lafayette Square shows what wealthy, upper-crust Washingtonians would have seen when their carriages arrived at Maria and Samuel’s celebratory ball on the Saturday after the nuptials. The house, “fit for fine entertainments,” hosted the most important politicians, diplomats, military members, and elite members in D.C. for the event, but was only one of many balls initially planned for the celebration.
White House Historical Association and The Decatur House, A National Trust Site5 of 6
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Bas Relief of Maria Monroe
Date: 1820
Maria Monroe Gouverneur is captured in this relief. Her New York style wedding, planned by older sister Eliza Monroe Hay, was a private affair attended by only forty-two of their closest friends and family.
James Monroe Museum6 of 6
About this Gallery
Maria Hester Monroe, youngest daughter of President James Monroe and First Lady Elizabeth Kortwright Monroe, married Samuel Laurence Gouverneur, private secretary to the President, on March 9, 1820.