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A mid-nineteenth century photograph of Paul Jennings by the E.C. Perry Photograph Company.

The Estate of Sylvia Jennings Alexander

Paul Jennings was born in 1799 at Montpelier, the Virginia estate of James and Dolley Madison. His mother, a slave of African and Native American descent, told him that his father was the local English trader Benjamin Jennings. While Paul had no documented relationship with Benjamin and probably never met him, he did adopt the ‘Jennings’ surname as his own. As a young servant of the Madison family Paul performed domestic duties and often attended Dolley’s son John Payne Todd. Trained first as a footman Paul later became James Madison’s body servant or personal valet, assisting his master with his clothing, appearance, and every day undertakings. In this capacity Paul became a vital member of the household, so much so that when Madison won the election in 1808 the family brought him to the President’s House. Paul continued to work as President Madison’s valet but often fell under Dolley Madison’s authority as a dining room servant. These two figures, along with several others, were responsible for saving a number of significant White House artifacts from destruction during the War of 1812.1

This portrait of James Madison was painted by American artist John Vanderlyn in 1816, towards the end of Madison's presidency. He was president from March 4, 1809 until March 4, 1817.

White House Historical Association (White House Collection)

On August 24, 1814 British forces led by Major General Robert Ross defeated the Americans at the Battle of Bladensburg in Maryland. As the British began their march to Washington D.C., work at the President’s House continued as planned. Dolley ordered “dinner to be ready at 3” as the Madisons intended to host the cabinet along with “several military gentlemen and strangers.” At around 3 o’clock a free black man named James Smith rode up to the house shouting, “Clear out, clear out! General [John] Armstrong has ordered a retreat!” Chaos ensued as the residents and servants of the house hurried to vacate its premises. Amidst the confusion a “rabble” of people entered the mansion and “stole lots of silver and whatever they could lay their hands on.”2 Afterwards newspapers circulated a report that Dolley Madison had personally saved Gilbert Stuart’s portrait of George Washington, a story that revived patriotism and support for the war. The tale, lauding the First Lady’s quick thinking in a moment of crisis, eventually found its way into American folklore through schoolbooks, monographs, and artwork. She repeated the story frequently for the rest of her life, reminding listeners of her bravery and love of country.3

This full-length portrait of George Washington was painted by Gilbert Stuart in 1797, the final year of his presidency. The portrait was installed in the President's House in November 1800 and removed during the War of 1812. It returned to the White House after its reconstruction in 1817.

White House Collection/White House Historical Association

After the Madisons left the presidency Jennings returned with them to Montpelier, resuming his role as body servant to James Madison. He served the former president until Madison’s death in 1836. James bequeathed his slaves to his wife Dolley to protect her from debt but he explicitly asked that none of them be sold without consent, especially when it involved children or families.4 The Panic of 1837 devastated the paper value of Dolley’s assets; this economic crisis, coupled with her son’s expensive gambling and drinking habits, devastated her inheritance. She eventually sold Montpelier and her husband’s political papers to the federal government for relief; when this income disappeared she disregarded her husband’s wish and sold slaves without their consent. Fortunately for Jennings and his wife Fanny their five children—Felix, William, Frances, John, and Franklin—were not Dolley’s slaves to sell, as they resided with their mother on a neighboring plantation.5

While they avoided legal separation, things were not easy for the Jennings family as Dolley ordered Paul to return to Washington with her. Hard-pressed for money she rented Paul’s services to her friends on Lafayette Square, President James K. Polk and First Lady Sarah Polk. Eventually this arrangement also failed to cover her expenses, and in September 1846 she sold Paul to a local insurance agent named Pollard Webb. Webb owned Jennings for about six months before Massachusetts Senator and former Secretary of State Daniel Webster offered to purchase Paul’s freedom in March 1847. In their agreement Webster wrote: “I have paid $120 for the Freedom of Paul Jennings—He agrees to work out the sum, at 8 dollars a month.”6 Webster honored their contract and later recommended Jennings, an “honest, faithful, and sober” home servant, for a position at the Pension Office in the Department of the Interior.7

The Working Agreement between Daniel Webster and Paul Jennings, March 19, 1847.

Moorland-Spingarn Research Center, Howard University

With Webster’s endorsement the Pension Office hired Paul as a laborer and messenger. Several years later he purchased property on L Street near Eighteenth Street, on the northwest side of the city. Over the next decade he reunited with his freed children; his son John resided with him for some time and his daughter Frances lived next door with her two sons.8 During Paul’s time at the Department of the Interior he met a man named John Brooks Russell, a history enthusiast and writer. Fascinated by Paul’s life and his intimate associations with famous figures Russell transcribed the stories for publication “in almost [Paul’s] own language.”9 In 1865 Jennings’s A Colored Man’s Reminiscences of James Madison first appeared in book form. Though contemporaries often overlooked its importance because of Jennings’s former slave status, historians today consider it the first White House memoir. Jennings spoke gently of his former masters but he did not mince words regarding Dolley Madison’s famous act of historic preservation: “It has often been stated in print, that when Mrs. Madison escaped from the White House, she cut out from the frame the large portrait of Washington…and carried it off. This is totally false.”10 According to Jennings’s account the First Lady gathered some items, stashed silver in her handbag, and quickly escaped with her servant girl Sukey and Charles Carroll.11 While Dolley ordered the removal of the painting, the president’s steward Jean-Pierre Sioussat and gardener Thomas McGraw actually took it down and “sent it off on a wagon” out of harm’s way.

This portrait of Dolley Payne Madison was painted by renowned artist Gilbert Stuart in 1804. It officially became part of the White House collection in 1994.

White House Collection/White House Historical Association

As the nineteenth century progressed a number of individuals attempted to claim a share of Dolley’s glory. For the rest of her life she insisted that she had ordered her servants to break the frame and take it off the wall; and that once it came down she gave the portrait to two men, Jacob Barker and Robert G.L. De Peyster, who stopped to offer assistance. She resented Daniel Carroll’s assertion that his father Charles, who helped Dolley escape, saved the portrait in any way. Jacob Barker also wrote his own version some thirty years later, acknowledging Dolley’s request that the painting be saved but suggesting that she left before its removal. Barker remembered himself, his servant, De Peyster, and “the hired black boy” hoisting the artwork. Another rumor credited General John Mason, who was with President Madison during the British invasion, as the painting’s true savior. While we may never know what exactly transpired that August night it seems that a collective effort, instigated by Dolley Madison, ensured that Stuart’s masterpiece would not only survive the war but also transcend time as an icon of national pride. Today it resides in the East Room of the White House, paired with the full-length portrait of First Lady Martha Washington.12

Paul’s struggle to escape slavery eventually led to his freedom and support of abolitionism. While working for Daniel Webster in the nation’s capital, Paul helped organize a slave escape in April 1848. Labeled the “Pearl Incident,” 77 slaves sailed down the Potomac River but were captured at Point Lookout in Maryland. Jennings, who felt that he owed Webster a debt of gratitude for securing his independence, decided to fulfill their agreement instead of joining the exodus. His views on slavery and emancipation also influenced his sons John, Franklin, and William, all of whom enlisted to fight for the Union during the American Civil War. When Paul Jennings passed away in May 1874 he bequeathed a modest house and valuable property to his children in northwest Washington. His story illuminates how enslaved African Americans were vital to the operation and function of the President’s House. While most slaves never left a written record of their lives, Jennings’s account aptly demonstrates that people of different races, ethnicities, and cultures shaped American history and how we remember it today.13

This article was originally published February 1, 2017

Footnotes & Resources

  1. Paul Jennings, A Colored Man’s Reminiscences of James Madison (Brooklyn, NY: George C. Beadle, 1865), v, 7-8; Catherine Allgor, A Perfect Union: Dolley Madison and the Creation of the American Nation (New York: Henry Holt and Company, 2006), 45; For the most recent and comprehensive study on Jennings’s life see Elizabeth Dowling Taylor, A Slave in the White House: Paul Jennings and the Madisons (New York: Palgrave MacMillan, 2013). President Madison’s papers, along with pieces of flatware, were also transported out of the White House.
  2. Jennings, A Colored Man’s Reminiscences of James Madison, 10-12.
  3. Allgor, A Perfect Union: Dolley Madison and the Creation of the American Nation, 312-316; William Seale, The President’s House: A History (Washington D.C.: The White House Historical Association, 2008), vol. 1, 130-133.
  4. “James Madison: Original Will, and Codicil of April 19, 1835, 15 April 1835,” Founders Online, National Archives, last modified December 28, 2016, http://founders.archives.gov/documents/Madison/99-02-02-3114, accessed January 4, 2017; Seale, The President’s House, vol. 1, 250-251.
  5. Elizabeth Dowling Taylor, A Slave in the White House: Paul Jennings and the Madisons, 25, 91-92, 99, 111, 115-117, 151-152; https://web.archive.org/web/20120918235037/http://www.montpelier.org/explore/community/paul_jennings.php, accessed January 4, 2017; Slave status passes through the maternal line. Paul and Fanny’s children, therefore, were given their mother’s status and lived with her as a result.
  6. Paul Jennings’ 1847 Work Agreement with Daniel Webster, Moorland-Spingarn Research Center, Howard University, https://www.whitehousehistory.org/photos/photo-2-23, accessed January 4, 2017.
  7. Daniel Webster Recommendation Letter for Paul Jennings, June 23, 1851, folder 3, Alfred Chapman Papers #1545, Southern Historical Collection, the Wilson Library, University of North Carolina at Chapel Hill, https://blogs.lib.unc.edu/shc/index.php/2012/05/02/daniel-webster-recommendation-letter-on-behalf-of-former-slave-paul-jennings/, accessed January 4, 2017.
  8. https://web.archive.org/web/20120918235037/http://www.montpelier.org/explore/community/paul_jennings.php, accessed January 4, 2017.
  9. Jennings, A Colored Man’s Reminiscences of James Madison, v. Russell published excerpts before the release of the book. See “A Colored Man’s Reminiscences of Mr. Madison,” The Historical Magazine, and Notes and Queries Concerning the Antiquities, History, and Biography, January 1863; 7, 17.
  10. Jennings, A Colored Man’s Reminiscences of James Madison, 11-15.
  11. Ibid. Jennings misidentified the man who helped Dolley escape as “Daniel Carroll,” when it was actually Charles Carroll of Bellevue. See Anthony Pitch, The Burning of Washington: The British Invasion of 1814 (Annapolis, MD: Naval Institute Press, 1998), 87-88.
  12. Holly C. Shulman, “Dolley Madison and the British Invasion of Washington, D.C.,” in American Under Fire: Mr. Madison’s War & The Burning of Washington City (Washington, D.C.: White House Historical Association, 2014), 67-78; Elizabeth Dowling Taylor, A Slave in the White House: Paul Jennings and the Madisons, 35. Dolley wanted the portrait in the Oval Drawing Room but President Madison insisted that it be placed in the State Dining Room. It hung here above the fireplace on the west wall until August 24, 1814, when it was taken down and transported out of the city to Maryland for safekeeping. The portrait returned to the White House in 1817 once construction efforts were nearing completion.
  13. “Disturbance,” National Era, April 20, 1848; 68, 63; “Domestic News,” Christian Reflector, April 27, 1848; 11, 17; Jennings, A Colored Man’s Reminiscences of James Madison, 16-17.

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