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"This Art is Your Art" National Student Competition
The White House Historical Association, Artsy, and the Robert Rauschenberg Foundation partnered together in the late spring of 2016 for an unprecedented opportunity for university students in the United States to engage with the artwork and artifacts in the White House by creating a short video about the historical and artistic context of a particular work in the Executive Mansion. The
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19th Century White House Staff
For most of the 19th century, the structure of the White House staff remained generally the same. At the top was the steward, a federal employee who was bonded; the Congress created this position to safeguard the silver and furnishings in the house. The steward was on the government payroll. He functioned as the manager of the house. The job
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The Electric Career of Ike Hoover
A group of physicians and surgeons meeting in Washington 1891 was treated to a reception at the White House on the evening of September 24. President Benjamin Harrison moved among the gathering, and "extended a hearty grasp to each of the doctors."1 The event included "lively airs" by the Marine band, and a chance to wander through the conservatory and reception rooms.
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Social Media
White House History WeeklyEvery Tuesday, Stewart posts an episode of White House History Weekly on his Twitter and LinkedIn. In each episode, Stewart poses a question to somebody who can provide insight into a significant moment, tradition, or room in the White House. Stewart is often joined by a White House Historical Association historian, board member, or former White House
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Decorative Arts in the White House Symposium Schedule
October 1, 20209:00-9:15amWelcome and Overview Stewart D. McLaurin, President, White House Historical AssociationFrederick J. Ryan Jr., Chairman, Board of Directors, White House Historical Association Katharine P. Booth, Vice Chairwoman, Board of Trustees, Winterthur Museum, Garden & Library9:15-10:00amCrafting American TasteIntroduced by Colleen Shogan, Senior Vice President and Director of the David M. Rubenstein National Center for White House History,
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The Decorative Arts in the White House Symposium Scholarly Contributors
James Archer AbbottJames Archer Abbott currently serves as the Executive Director of the Lewes Historical Society in Lewes, Delaware. A graduate of Vassar College and the State University of New York/FIT, he has previously served as a museum director and/or curator for Johns Hopkins University’s Evergreen Museum & Library, the Baltimore Museum of Art, Boscobel House and Ga
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Slavery and the White House
Construction on the President’s House began in 1792. The decision to place the capital on land ceded by two slave states—Virginia and Maryland—ultimately influenced the acquisition of laborers to construct its public buildings. The District of Columbia commissioners, charged by Congress with building the new city under the direction of the president, initially planned to import workers from Europe
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Did Slaves Build the White House?
Construction on the President's House began in 1792 in Washington, D.C., a new capital situated in sparsely settled region far from a major population center. The decision to place the capital on land ceded by two pro-slavery states-Virginia and Maryland-ultimately influenced the acquisition of laborers to construct its public buildings. The D.C. commissioners, charged by Congress with building the
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Decorating the White House
Congress has always been tasked with appropriating funds for the care, repair, refurnishing and maintenance of the White House and its grounds. Each incoming president has found furnishings that were worn out and in need of replacement due to everyday wear and tear. Congress approved funds enabling a new president to carry out structural improvements and purchase new furnishings from
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About Our Authors
JAMES ARCHER ABBOTT is the Executive Director of the Lewes Historical Society in Lewes, Delaware. His publications include JANSEN, JANSEN Furniture, and Baltimore’s Billy Baldwin. He is the co-author of Designing Camelot. (WHH #60) WILLIAM ADAIR is a frame historian, conservator, and gilder in Washington, D.C. (WHH #54) MATTHEW ALGEO is a writer and journalist. He is the author of se